[Some of] My Favorite Albums (Part 2 of 3)

This is the continuation of a prior post: Part 2 of 3.

See the prior post, numbers 13-10, to get up to speed.

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#9.
METALLICA: RIDE THE LIGHTNING (1984)
For those metal fans, all I have to say is "Fade to Black" and you'd know the greatness to which I am referring: Ride the Lightning. This is one of those under-heralded albums that you turn on, and as a metal fan you're like: "Damn that song is on this album too?" And the majesty keeps delivering with "Creeping Death," "The Call of Ktulu," and "For Whom the Bells Tolls," amongst many others. This was Metallica's second album, the transition album between their extremely thrashy first album Kill 'Em All (1983), and their more classic sound beginning on Master of Puppets (1986). It's a raw album, without being raw for raw's sake. Metallica wasn't trying hard to be cool (like one could say about Kill 'Em All), they were just playing badass music, and it comes across on the album.

Favorite Lyrics: "Stranger now, are his eyes, to this mystery, he hears the silence so loud. Crack of dawn, all is gone, except the will to be. Now they see what will be, blinded eyes to see, for whom the bell tolls, time marches on." - For Whom the Bell Tolls

Album Cover: Average/good. The lightning is cool, I guess.

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#8.

ARCADE FIRE: THE SUBURBS (2010)

Sooo good. As I said in my post about Arcade Fire awhile back, they are just awesome. Balanced, their music is well balanced. The Suburbs moved Arcade Fire back into the folksy feel that I love, after their slight/sort-of departure into the rock sphere with Neon Bible (2007) -- which, don't get me wrong, was a very good album in its own right. This album is solid, straight through, with only one exception. The song "Month of May" could go to hell for all I care. The lyrics are all literal and matter of fact: "Gunna' make a record in the month of May." I guess they took it too literally when people say to write about what you know. It's like, uhhh... okay. Tell me something personal, and I'll appreciate it more than a narrative. It's like putting "It is your birthday." on a banner instead of "Happy Birthday!" See The Office. But anyways, I love this album very very much. I lucked out and was able to see them for their live recording for the Unstaged series posted to Youtube. I especially love the songs "We Used to Wait" and "Sprawl II (Mountains Beyond Mountains)."

Omg! I was at this show!

Favorite Lyrics: "So can you understand? Why I want a daughter while I'm still young. I wanna hold her hand and show her some beauty, before this damage is done." - The Suburbs

Album Cover: Good. A car parked looking at the side of a suburban home. Gets the point across. I like the colors.

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#7
IRON MAIDEN: LIVE AFTER DEATH (1985)

This is the live album of live albums. It is the only live album I would ever consider putting on a list of favorite albums. I am biased, of course, because it is Iron Maiden, the greatest band in existence after Wyld Stallyn, of course. So, Live After Death, is a sick album. It was released in 1985 arguably at Iron Maiden's peak. They had just released the holy trio of albums -- Number of the Beast (1982), Piece of Mind (1983) and Powerslave (1984). They released these consecutively, while touring on the most epic of tours ever, the WORLD SLAVERY TOUR. Haha! So evil! Then, what do they decide to do? Oh I don't know, release a live album of the most epic material they will ever create!! "What do you do when a bird shits on you?" The Rime of the Ancient Mariner! Hallowed be Thy Name! Running Free! Run to the Hills! The Trooper! Powerslave! Number of the Beast! I literally can't name all of the awesomeness that poured out of this album, because my fingers would start to bleed. They (my fingers) would surely hate me, and I still need them for law school, and other things. Needless to say, the vinyl with a sleeve in good condition would be an excellent gift for me at some point (this is directed at all of my single hot-chick friends who want to impress me -- but only the blonde ones). This album came out when Iron Maiden was selling out stadiums three nights in a row... oh the 80's, where art thou? (Note to self: IN THE PAST... *tear* ) The quality of this live recording is unmatched by any live recording I've heard since.

Favorite Lyrics: "She came to me with a serpent's kiss, as the eye of the sun rose on her lips, moonlight catches silver tears that I cry. So we lay in a black embrace, and the seed is sown in a holy place, and I watched and I waited for the dawn." - Revelations (on Piece of Mind)

Album Cover: Very good. "Eddie" is busting up from hell, probably breaking from some badass metal chains or something. Either way, he is making the metal hands (indicating that epic qualities in the abstract are abound), and the metal face (indicating that Jesus is shredding on an electric axe somewhere in the universe). Love it. Whenever I see it, I smile, like seeing really short short-shorts on a girl that should be wearing normal-sized-girl pants.

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#6
JUDAS PRIEST: SAD WINGS OF DESTINY (1976)

Okay, well after rating Live After Death so highly, I'm rethinking the placement of this album on the scale -- it is surely deserving of "favorite" status, but maybe a little lower on the list. Oh well, too lazy now, forge ahead. Sad Wings of Destiny is the first album on the list that doesn't have that one bastard step-child of a song. Suburbs had "Month of May," Ride the Lightning had "Trapped Under Ice," just like Use Your Illusion II had "Shotgun Blues." But this masterpiece, flows, and I mean dayum it flows. A lot of the songs lead into one another. It is crafted by the master guitarist artisans K.K. Downing and Glenn Tipton -- the true founders of the dual guitar battle. It punches you in the face out of the gate with "Victim of Changes," easily one of Priest's best songs, and a true metal legend of a song. (Victim of Changes is probably one of my favorite songs.) The album then immediately cuts into "The Ripper" based on Jack the Ripper, of English lore/reality, a great percussion-driven beat machine. Next, it softens into "Dreamer Deceiver," and lets you catch your breath, with, frankly, some quite beautiful vocal melodies, and soft acoustic. But! Don't fear, it transitions into its faster pace cousin, delivering on the electric guitar in "Deceiver." Then Priest, does WHAT!?!?, they drop some piano on your fat stank ass with the "Prelude" to "Tyrant," another classic priest anthem. It rolls through "Epitaph" and "Genocide," great stand-alone songs, closing out with "Island of Domination," a perfect album closer with high pitch Halford vocals, and some very "riffy" guitar bits (for the 70's). This is not a hardcore album by any means, but it is very very good. It is pure and honest to the proto-metal sound of the late 1970's. Sad Wings was Priest's second album, released in 1976.

Favorite Lyrics: "Once she was wonderful, once she was fine, once she was beautiful, once she was mine. Now change has come over her body, she doesn't see me anymore. Now change has come over her body, she doesn't see me anymore. Changes, victim of change." - Victim of Changes

Album Cover: Great! I love the angel's spread wings, trying to protect himself from the flames. It encapsulates epic ideas, like battles on ethereal plains... or something? Or maybe its a stone angel, immune to flame? Who knows, it looks badass, and this is a blog about badass stuff... and me.

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#5

RUSH: 2112 (1976)

This is a rock album. This album changed a lot of lives, and influenced a lot of musicians in the rock and later metal scenes. Just watch the recent documentary made about RUSH, Behind the Lighted Stage (2010) and you'll see people talking about RUSH you wouldn't have guessed, like Sabastian Bach of Skid Row, Kirk Hammet of Metallica, some dude from Rage Against the Machine (I think), and even Jack Black of Tenacious D. Even if you aren't a RUSH fan you might enjoy it, it's surprisingly well made (for Canadians. haha, just kidding, I love Canadians... well... only the blonde ones). The story behind 2112 is simple (well, the story of the making of the album, not the story ON the album, which is a total mind fuck). RUSH had put out three albums by the time of 2112, RUSH (1974), Fly By Night (1975) and Caress of Steel (1975). The albums got progressively less popular, and were flops on the pop charts. RUSH figured their number was up, so they decided to say fuck you to the studio by putting out one last album, totally whack, with a 21 minute song on one side of the album called "2112." The other side of the album actually contained 4-5 good songs that the studio ultimately used for air-time and promotion. Well, surprise surprise, the album, and the song, 2112, was an epic, and massively popular. It tells the story of a man fighting the priests of the temples of syrinx in the future with his guitar. Whack. But, the music is notable for its complexity, yet simplicity in listening. It is filled with plenty of time changes to keep your interest, and some really good guitar solos and riffs. Neil Peart on the drums is heralded as probably the best living drummer in the world. Their technical mastery easily makes up for the fact that there are only three of them in the band ("the holy triumvirate"): Geddy Lee (vocals and bass), Alex Lifeson (guitar), Neil Peart (drums/percussion). Listen with care.

Favorite Lyrics: "What can this strange device be? When I touch it, it gives forth a sound. It's got wires that vibrate, and make music. What can this thing be, that I've found? See how it sings like a sad heart, and joyously screams out it's pain. Sounds that build high like a mountain, or notes that fall gently like rain." - 2112 [Act III. Discovery]

Album Cover: Memorable. Simple and memorable. I will always remember the star.

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Tune in next week, kids, for the final installment of the best albums ever created by humans.


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[Some of] My Favorite Albums (Part 1 of 3)

This list is by no means complete or accurate, but it is a fair reflection of my favorite albums. You will disagree. That's fine. Just remember that I have a bigger dick, and that I am probably correct about the music too. Winky face.

Starting at the bottom of the list:

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#13.
NIRVANA: UNPLUGGED IN NEW YORK (1994)

Now don't let the position of this album on the list fool you, it is a great album. On beautiful acoustic and piano riffs, Nirvana rolls through some of their own hits, and does some really really good covers of songs that you otherwise never would have heard of. Cobain compliments the smooth rolling jams with soft vocals, instead of his typical throaty grunge voice. It is also significant because it was the first Nirvana album released after Kurt Cobain's death, in a way marking the end of the grunge period.

Favorite Lyrics: "Where do bad folks go when they die? They don't go to heaven where the angels fly. They go to a lake of fire and fry." - Lake of Fire.

Album Cover: Average. When I was young I also remember studying the album cover, looking at all of the instruments and people. There's a lot going on on that album cover.

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#12.

NEIL YOUNG: AFTER THE GOLDRUSH (1970)

This is an album filled with great songs. "Southern Man," "Don't Let it Bring You Down," "Tell Me Why," and of course, "After the Goldrush" make this album very memorable. Generally a slow album, it has a contemplative feel to it. He writes about castles, knights and days of yore -- which I'm sure are metaphors to modern day life, but the drug-induced translation is lost on me. Neil Young's peculiar voice and slow acoustic, along with a hard snare makes this a very balanced album. It has classic songs and a folksy feel.

Favorite Lyrics: "Thinkin' about what a friend had said, and I was hopin' it was a lie." - After the Gold Rush. "Don't let it bring you down, it's only castles burning." - Don't Let it Bring You Down.

Album Cover: Forgettable. Black and white inverted, and walking in front of a fence? Wtf.

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#11
GUNS N ROSES: USE YOUR ILLUSION II (1991)

This album opens up with the very epic song "Civil War." It tells the story of miscommunication and tragedy, with sweeping guitar riffs and heavy percussion. The album rolls into "14 Years" and "Knockin' on Heaven's Door." It goes through some harder songs, and in my opinion hits its apex with "Estranged" -- one of my favorite songs. It is a long song, an epic, not sure exactly what it's about, but it has really good piano thrown in. This album came out in the latter years of Guns N Roses' existence. They had put out Appetite for Destruction (1987) already, which is their hallmark album. In my opinion it is their more mature material, and marks the end of their time as a major force in hard rock.

Favorite Lyrics: "When I find out all the reasons, maybe I'll find another way, find another day, with all the changing seasons of my life, maybe I'll get it right, next time." - Estranged

Album Cover: Average/good. It contrasts with Use Your Illusion I (1991), which is the exact same cover but yellowish/orange. It's identifiable as the counterpart to the two-part series of albums which were released at the same time (and a true fan knows that this is the better one). I like the vertical text.

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#10
AC/DC: HIGHWAY TO HELL (1979)

Note: We are now in the top ten, strap on your seat-belts everybody. AC/DC's Highway to Hell was their last album with singer Bon Scott. They were about to explode onto the 1980's scene, but were met with tragedy. This didn't stop them from still being amazing. They picked up singer Brian Johnson and put out Back in Black (1980), a tribute to Bon Scott. It is the second highest selling album of all time in the world, behind Thriller (1982) by Michael Effin' Jackson. But anyway, back to Highway to Hell. This album is a fun rock album, including the songs "Touch too Much," "Shot Down in Flames," "Walk All Over You," and "Highway to Hell." It is the perfect album for cruising down the highway with the windows down on a warm day, or while grilling up hot dogs and hamburgers and playing football in the backyard with Brett Favre and blue-jeans. America.

Favorite Lyrics: "No stop signs, speed limit, nobody's gunna slow me down. Like a wheel, gunna spin it, nobody's gunna mess me around. Hey Satan, paid my dues, playin' in a rockin' band. Hey momma, look at me, I'm on my way to the promised land." - Highway to Hell.

Album Cover: Weird and amusing, especially after knowing that they are all basically midgets (all hovering around the 5' 0" range).

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Bollocks. I was going to do the list in one giant post, but I'm lazy and this is taking awhile. I'll complete it in two more installments. You will have to wait to find out the genius album selections I make, and not like them (probably). Until then, sex.


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The Ultimate [Cover] Band: Toxic Mouse

Last night I went to Clarendon Grill with the Henslayer, and lucked out, because the most epic bone-crushing heavy metal [cover] band ever was playing: Toxic Mouse! The are unabashedly 80's and they freggin' pull it off. They really pulled out all of the stops.

Toxic Mouse!

I don't know how I haven't seen this local band until now. They have the big hair, the flashy clothes, and the colorful and sexy guitars. It's almost as if they have a time machine. Plus, their new singer is dead on (not the guy in the video below -- who is okay).

We're Not Gunna Take It!

Could be better quality, but this video isn't bad.

The best part about this band is that they are probably lame outside of their costumes. Like I bet the guys in the band are computer programmers, dungeons and dragons players, maybe even lawyers -- that bad! Whatever, I don't need to acknowledge reality, and I can just live the dream.

Photo courtesy of The Henslayer.

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Where Women Glow and Men Plunder: the Land Down Under

This song is awesome, and has a great music video.



I recommend singing along:


Traveling in a fried-out combie
On a hippie trail, head full of zombie
I met a strange lady, she made me nervous
She took me in and gave me breakfast
And she said,

"Do you come from a land down under?
Where women glow and men plunder?
Can't you hear, can't you hear the thunder?
You better run, you better take cover."

Buying bread from a man in Brussels
He was six foot four and full of muscles
I said, "Do you speak-a my language?"
He just smiled and gave me a vegemite sandwich
And he said,

"I come from a land down under
Where beer does flow and men chunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover."

Lying in a den in Bombay
With a slack jaw, and not much to say
I said to the man, "Are you trying to tempt me
Because I come from the land of plenty?"
And he said,

"Oh! Do you come from a land down under? (oh yeah yeah)
Where women glow and men plunder?
Can't you hear, can't you hear the thunder?
You better run, you better take cover."




Hahaha.